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                "value": "It is of the greatest importance for the purpose of education that Irish music, or as much of it as now remains, should be collected at once and fixed for future examination. There is the more hurry because this music is intimately and essentially associated with the Irish spoken language, and Irish as a spoken language is in imminent danger of extinction. For the highest grade of Irish music, viz., the slow singing airs, with all their marvellous graces of tonality and phrase, have completely died out in the English portions of Ireland, whereas the hard timbre tunes or those with a strong beat accent and simple phrasing such as reels, doubles, jigs, etc., are preserved almost as well in English as in Irish Ireland. It is in order to preserve the former class, now infinitely precious and swiftly dying with their medium of existence, the Irish language, that there is need for haste. Indeed the same need affects the second class of music, for traditional instrumentalists are now rapidly dying out, and so are the women who had the habit of jigging dance music. And the base tradition emanating from towns will very swiftly overwhelm and submerge for ever the last remains of our music. Hence those persons who know the value of our music and the extremely short tenure of its existence are busy now making machine collections. Both the Universities of Berlin and Vienna have collections made in Ring, Dungarvan, Coolnasmeer, and Kilgobinet, and if people living at such a distance can afford time and money to make such collections is it not a shame for us, who live amongst this matter and trample it under our feet every day, that we do not make some effort to greasp some little samples and specimens from it is it passes? For besides the scientific interest which moves the University authorities in Berlin, Vienna and elsewhere we might be expected to have in addition a little patriotism pointing the same way. Moved by the urgency of the need, Dr. Windle, President of Cork University College, has secured a sum of £50 from the",
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                "value": "I made my first collection in Waterford. This was from a fiddler named Tom Higgins in St. Patrick's House, Hennessy's Road. He is a fiddler and a descendant of fiddlers and musicians. He represents then what may be called the last of Irish professionalism, in music. He is a native of Kilkenny and was taught when very young by his father. He was afterwards influenced by various players, both fiddlers and pipers. He played with young Cash, the Wicklow piper, on the road for several years. He says the best musician he ever heard was Spillane, the piper who lived and died some years ago in Cork. Tom is a reel player of the first order, having the old-time jot of the bow with the marvellous address of wrist and forearm of the real tradesman. I never saw anything at all to equal his pliancy of wrist and consequent bow command. The richness of his bow mixing in playing his reels is a revelation. From the materials I collected it would be possible to write a fairly full treatise on the bowing of the Irish reel. This is a matter that has never been examined, and I never saw a word on it with the exception of the few remarks on bowing Scotch dance tunes in a collection issued some years ago in Glasgow. I forget the name of the man who produced it. Now, here is one of the most wonderful arts in the world, the bowing of an Irish reel, and no reference to it has ever been made by a press that daily showers inanities on this land, and nobody raises a little finger to stop it on its quick flight to eternal silence. I think I referred to it, though, some time ago, but my remarks then rested on general impressions and not on a concrete examination of the material. During the few days I worked with Tom I secured about 44 reels. Those",
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                "value": "are recorded on 22 Edison records, there being two reels to the record. I rejected about as many more in making my selection. Some reels, however, I duplicated. The grandly eloquent reel called \"Roving Paddy\" I secured at least thrice. One repetition was occasioned by Tom having played the reel in C instead of A. As that bit off a deal of its beautiful sharpness of sky line I requested a rendition in A. I did not touch his doubles, singles, jigs, long-dances, marches, etc., but merely the title of reels. On another occasion I hope to collect some of those from him. I wish to return my thanks both to Tom and to Father McGuinness, Superior of the Home. To Tom for his readiness and infinite pains in striving to give me every satisfaction during my long and trying engagements with him and to Father McGuinness for his great kindness in affording me all facilities for my work, including the hospitality of the House. I also desire to collect from the following musicians: Mr. Bergin, flute player, of Tullaroan; Pat Dunne of New Birmingham, Thurles, diddler; Jim Byrne, of Mooncoin, piper. Jim came from Trim, Co. Meath, and he remained in the Waterford district on my advice. He plays in Waterford on Saturdays. I heard Jim when in humour doing as good piping as ever I heard. I possess about eight records from Paddy Forsby, of Chicago the king of Irish pipers, but I eagerly desire more. Tom Quinn, blacksmith, Teoraneena, formerly of Kilrossenty. Tom, for accuracy of fingering and for wonderful tune, is not to be beat n. He also plays the flute. Tom Launders, Cahir. He is a fiddler, a native of Bansha, and spent over thirty years in Yonkers, New York, N.Y., He has the sweetest Irish finger I ever heard, and a collection of music that is unique. It is to be hoped he will give his valuable aid to the University in this business in company with the rest of the musicians. Concurrently I shall make a collection from singers, jiggers and whistlers. This is the real stuff for psychological and physiological research into the consti",
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                "value": "One may begin a Phonogram Archive with merely an Edison Phonograph and some blanks. The second size Edison machine will be handier for field work than the largest or \"Home\" type. We have secured in addition a machine for showing blanks and a copying machine. By means of the former old records bearing a tune already, or new ones that from any cause have turned out failures may be cleaned for taking a fresh record. By means of the copying machine an almost unlimited power of multiplication of original records is provided. For if an original were subjected to all the hacking of long playing for various purposes of examination and research it would very soon become useless. A tonometric examination alone, i.e., a recording of the number of vibrations per second made by each of its tones in order to determine its curve of pitch, would destroy any record. If times get good hereafter we hope to secure an Appun Tonmesser. This is an instrument blown by a bellows like a small organ and having a number of reeds only one vibration apart, or at most two. Its register is the compass of the singing voice. When examining a record the dividing screw of the phonograph is unshipped so that one can easily drop the recording point on the note under examination as often as needed. One then searches for the stop or reed on the Tonmesser that is dead in tune with it; and the number of vibrations made by that reed, a known quantity, is the vibration number of the note examined. If the note is between two reeds, that is in a machine having stops or reeds two vibrations apart, its position can be accurately determined also. Having tested every pitch varia.",
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                "value": "colscoile,",
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                "value": "concais.",
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              "type": "Annotation",
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                "value": "Private",
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              "type": "Annotation",
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              "body": {
                "type": "TextualBody",
                "value": "University",
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              "type": "Annotation",
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              "body": {
                "type": "TextualBody",
                "value": "College,",
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              "type": "Annotation",
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              "body": {
                "type": "TextualBody",
                "value": "Cork.",
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                "value": "Rathmullan, Co. Donegal 1909 July 31.",
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              "body": {
                "type": "TextualBody",
                "value": "Dear Dr Henebry,",
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              "type": "Annotation",
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              "body": {
                "type": "TextualBody",
                "value": "It is an odd thing that yesterday afternoon I sent you a cutting of the advt just in case you might not have seen it.",
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            {
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                "type": "TextualBody",
                "value": "In reply to your letter:- what is wanted is something on which I can rely when placing your name before the Commissioners.",
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              "type": "Annotation",
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              "body": {
                "type": "TextualBody",
                "value": "I would suggest as Strachan & Stokes are both dead that you should",
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              "body": {
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                "value": "(i) state in your application everything that you have done in connection with the teaching of Irish & especially the matters which you mentioned to me in your letter just received. If you like to get out a draft of your application & send it here to me I will look it over & tell you whether it is all right or whether it requires alteration in any manner. But this must be between ourselves.",
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                "value": "(ii) Get testimonials from",
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              "id": "https://mymanifests.com/catholicarchives/annotations/capuchins/papers-of-the-capuchin-annual-and-the-irish-capuchin-publications-office-2/103458/p05.json#anno-15",
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              "body": {
                "type": "TextualBody",
                "value": "Zimmer.",
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              "body": {
                "type": "TextualBody",
                "value": "Thurneysen",
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                "value": "Dr Sheehan (Maynooth)",
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                "type": "TextualBody",
                "value": "This would be quite sufficient.",
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              "body": {
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                "value": "(iii) References : - well, hardly necessary but you might put in Bp. of Waterford certainly & if there are other two persons who could speak as to your knowledge of Irish put them in too.",
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                "value": "(iv) Send me any letters from Strachan or Stokes - not too many, half a dozen at the outside on which you can rely. I will send these on for Rhys to look at. I want him to be satisfied - but probably you know him - then no one else will say a word.",
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                "value": "(v) Please send Sir John Rhys, Jesus College, Oxford a copy of your thesis ( I purchased it at the time, so have it) & say that I asked you to do so. Just put a slip of paper with it inscribed \"Sent by request of President Wenderby the Author\" this will not infringe the note as to communications.",
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                "value": "If you want to know anything more please write to me here. yours sincerely,",
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                "value": "Dear Dr. Henberg.",
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                "value": "I have find on various acca-",
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                "value": "sions to find places for Drish",
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                "value": "Golds in Gumman ceremonies and",
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              "body": {
                "type": "TextualBody",
                "value": "the teams you mention. I have",
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                "value": "nation, which is pointly acoustic,",
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                "value": "I am out of bed a part of yesterday and today. I got an awful squeesing from the Flu for over a month. I am sure I have lost over two st. in weight and am as weak as water yet. I'll pull up as the weather gets finer, le congnamh De.",
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                "value": "I was shocked to hear that they lost parts of the MS. Who is responsible or what excuse has been given? Who introduced the Clandillon family into the job? If the lost tunes are not found I must regard the publication as a failure, for you will have only a maimed, or even worse still, a patched and plastered volume to offer the public. : I am sending the tunes in obedience to Torns's request. : I intended to rewrite them in ink on proper paper, but I fear they are worse than useless, and if inserted will only contradict most of what he had written about them. Let me know if there is any hope of finding the lost tunes, as time goes on.",
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                "value": "Eibhleen is doing well in Dangle. Fine place. Everything most satisfactory. The two kids in Ring doing well. : Pierse is starting to Waterpark tomorrow after holidays. : I don't know how he is doing there but I notice he is not as fond of using Irish as he was. Christian Brothersill",
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                "value": "I had a letter from Fr. O'Bullivan some two months ago, also his picture. He is looking grand. : Must write to him soon.",
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                "value": "Mr. Hudson Maxim, the American inventor, has recently made a study of poetry and literature. He has written a work entitled \"The Science of Poetry and the Philosophy of Language,\" which has created a great deal of discussion here.",
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                "value": "He asked me for the names of a few of my friends in Ireland to whom he might send presentation copies. I took the liberty of including your name amongst them. He told me he would send you a copy and you have, I presume, received it by this time.",
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          "Walker’s Century Scrap & News cutting book containing clippings, photographs, printed ephemera, and correspondence associated with Fr. Richard Henebry. The volume includes: • Letters to Henebry from D. Ring (Secretary, Hurling Club, University College Cork), Pádraig Ó Dálaigh (Conradh na Gaeilge, Dublin), Carey & Butler (Stockbrokers, 17 South Mall, Cork), Fr. Michael O’Flanagan (Micheál Ó Flannagáin, The Gaelic League, New York), Sir Bertram Windle (relating to Henebry’s application for the Chair of Irish language and literature in UCC in 1909), Fr. Michael Sheehan (St. Patrick’s College, Maynooth), Heinrich Bewerunge, John Millar (2 The Glen, Limestone Road, Belfast), W.M. Kenealy (regarding the publication of Henebry’s article in the ‘Kilkenny Journal’ in November 1903), and Frank MacLysaght (Secretary, Conradh na Gaeilge, Kilkenny). • A collection of Henebry’s studio photographs along with other family and personal prints. • Photographic print of Henebry’s grocery shop, Portlaw, County Waterford. • Photographic print of the ruined Mount Bolton House near Portlaw in County Waterford. • Postcard print of the Presbyterian Church & Bridge, Portlaw, County Waterford. • Letter from Tadhg Ó Donnchadha (‘Torna’) to Fr. Senan Moynihan OFM Cap. referring to Henebry’s published works (6 Apr. 1927). • Letter from John Henebry to Fr. Senan Moynihan OFM Cap. referring to ‘lost tunes’ from his brother’s manuscript (24 Apr. 1927). • Manuscript text of a lecture given by Carl Gilbert Hardebeck titled ‘Doctor Henebry The Musician’. A note added by Fr. Senan suggests that the talk was given in Cork in about 1921. (12 pp). • Clipping of a tribute article to Henebry titled ‘Dr. Henebry / His services to Gaelic Literature’. (1920). • Clipping of letter from Henebry published in ‘Kilkenny Journal’ regarding criticism of his recent lecture (25 Nov. 1903). • Clipping of an article titled ‘The Collecting of Irish music’ by Henebry (‘Waterford News’, 11 May 1914). • ‘The best method of learning Irish’ by Henebry (‘The Leader’, 31 May 1902). •  Fr. Michael Sheehan’s tribute to Henebry (‘An Claidheamh Soluis’, 6-29 May 1916). • ‘A soldier-author MP on Waterford’. Stephen Gwynn’s article on Waterford which refers to Henebry’s contribution to the Irish language (‘Munster Express’, 23 Oct. 1915). • Report on Henebry’s funeral (‘Munster Express’, 25 Mar. 1916). • ‘The Gaelic Endowment Fund / The Gaelic Chair at the University’. Refers to Henebry’s appointment to the Catholic University of America (‘The Irish World’, 18 Nov. 1901)."
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