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                "value": "Gardiner Street Church at 6.45 this evening, and the funeral will take place to Glasnevin Cemetery after 9.15 a.m. Mass to-morrow.",
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                "value": "Mr. Leo Whelan was one of Orpen's most direct and most considerable pupils. From the start of his career he concentrated on the humour and character of man, and it is a notable fact that his greatest successes were concerned with the portrayal of the famous men who built up the modern Ireland.",
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                "value": "The Fenian invasion of 1866 is treated at some length. Its importance in the history of Canada is that it is one of the events which helped to knit the provinces together as one state. In itself is was a complete failure and rather lends itself to the burlesque account the author gives of it.",
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                "value": "We are a Fenian Brotherhood, skilled in the arts of war. And we're going to fight for Ireland, the land that we adore. Many battles have we won, along with the boys in blue. And we'll go and capture Canada for we've nothing else to do.",
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                "value": "THOUSANDS of the postcards which Bernard Shaw sent so briskly in reply to the letters from busybodies, friends and admirers must still be extant. No doubt, sooner or later, the lively sentences on these postcards will be gathered and edited with annotations in a series of bulky volumes. Meanwhile, an American enthusiast, Mr. E. J. West, has collected, for the present Shaw centenary, an interesting group of letters which were written by the dramatist when he was in his early 40s. They contain no surprise—for what is there left to be discovered in the life of the smiling public man? But they show his indefatigable energy and zest, some kindness and much preoccupation with his own exciting ideas.",
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                "value": "A young clerk, R. Golding Bright, wished to escape from the routine of office work by becoming a dramatic critic, and wrote to Shaw for advice. Unfortunately, none of his letters to Shaw have been preserved, and we can only guess what the first of them was like from the lengthy reply. The opening sentences of this reply, written from Fitzroy square on April 30th, 1894, might almost have been cynical in its recognition of the plain facts.",
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                "value": "Theer is no way of becoming a dramatic critic. It happens by accident. For instance, I have never been offered a post of the kind, though I should have been quite willing to take it any time these last eighteen years. But when the accident happens, it happens to a journalist. It is to men who are already in the profession, and known as men who can write and who know the ways of papers, that editors turn for a vacancy occurs. If you work for a paper as a reporter or paragraphist, and are keen on theatres, you can generally do a stray notice on an emergency which makes you known to the editor as having a turn that way. Then, if the dramatic critic dies, or goes to another paper, or drops journalist, you have your chance of succeeding him, if you have shown the requisite capacity.",
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                "value": "The young Englishman seems to have referred, in a blundering way, in his letter, to \"the new drama.\" and we may suspect that he was much puzzled by Shaw's paradoxical denial of novelty.",
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                "value": "There is nothing that annoys me more than all this nonsense about new schools and the new drama and the rest of it. I suffer from it considerably, as it leads people to construe purely dramatic passages in my plays as interpolations of what are supposed to be my political views.",
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                "value": "Shaw was certainly however, that his own drama needed a new type of criticism, for he entered into a lengthy correspondence with Golding Bright, who was in his early 20s. Literary critics have to be well-read, but the average dramatic critic can be an ill-informed fellow who expresses his own likes and dislikes with complete confidence. Shaw insisted, however, that the dramatic critic must have some acquaintance with his subject, and his suggested course of reading, skipping and dipping, is an interesting one.",
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                "value": "Read dramatic literature, not his tories or criticisms of it. Read three Moliters and Victor Hugo; and sample Beaumarchais, Volumes III. Musset, and they their styles. Read until Goethe's plays and a lot of Schiller's. Read a rhymed play of Dryden's, a play of Wycherley's,",
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                "value": "some of Congreve's, several of Sheridan, a Boucicault and a Robertson. Read Aeschylus, Sophocles, Euripides and Aristophanes (the Greek literature is very short). Get translations if you don't know the languages. Read them with a notion of their chronological order. Read Ibsen all through.",
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                "value": "Golding Bright soon found himself undergoing a course of valuable training. Mr. West includes in this volume an entire artile written by the young pupil, heavily underlined by his Irish examiner, with appropriate comments and corrections. This corrected examination-paper could be of practical use to many, for Shaw crossed out every stock-in-trade phrase and thought-saying expression. Soon the young freelance journalist was supplying gossip paragraphs about the coming dramatist to most of the London newspapers, and he had no lack of material, for Shaw kept him well supplied. Many of these paragraphs are reproduced in this book, and it is clear that Golding Bright laboured to be worthy of a master who was so prodigal in information about the plays which he was writing or had just completed. The pace was rapid, and we may suspect that Golding Bright was beginning to feel the strain.",
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                "value": "It is a remarkable fact that Shaw did not realise that young disciples are always unsatisfactory and that it is best to be discreet in the encouragement of them. The young should destroy them promptly; but have their own problems, their devotion is unsure and they are liable to sudden revolt. When \"Plays Pleasant and Unpleasant\" was published in 1898, Golding Bright reviewed them in The Sun. The review was an explosion.",
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                "value": "The pertinaceous presentment of himself as protagonist of each and all his works does not make for drama, but for sheer boredom and extinction.",
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                "value": "The romantic young disciple added:",
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                "value": "In all his plays, with one exception, there is nothing helpful, nothing stimulating to the heart: all is as drear and unsatisfying as the arid waste of the desert.",
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                "type": "TextualBody",
                "value": "Being used to opposition, Shaw accepted with calmness this unexpected outburst.",
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                "value": "Some of my \"unpleasant\" achievements horrified you a little; and the fact that the feeling insisted on finding expression, when you would have probably rather liked to be complimentary, convinced me that you had not mistaken your profession. Of course, I didn't share your view of the plays; if I did, I should destroy them promptly; but that you will understand, is not the point. The thing is that, having something to say, you said it effectively, and got as far as a column without being superfluous. Further, you pitched into an author without offending him, a thing that can only be done by saying your mind quite sincerely.",
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                "value": "Golding Bright must have found the intellectual life too strenuous for, much to Shaw's disgust, he became a theatrical agent. Strangely enough, Mr. West has not been able to find any information about him, although he became eventually the leading London theatrical agent of his time. He married an Irishwoman, who wrote under the name of George Egerton and achieved an international reputation during the '90s with her short stories. He was younger than George Egerton and was either her second or third husband. In a brief letter, written in 1901, Shaw refers casually to this surprising match, thereby showing how little he appreciated the emotions of the young.",
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                "value": "When I gave you that advice what was in my mind was that you were as likely as not to marry your landlady's daughter in a fit of sentimentality. I did not foresee that you would rush so violently to the other extreme as to marry George Egerton. How do you like it?",
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                "value": "I used to visit George Egerton during my first years in London and sometimes met Golding Bright. He seemed to me a typical English businessman, reserved, and, no doubt, authoritative at his desk, but I was aware of his romantic, unfailing admiration for his gifted wife. He gave me some shrewd advice, but not directly, for he got George Egerton to convey it to me: \"Tell him to live in Oxford and not waste his time in bohemian circles in Chelsea.\" Being young and foolish I did not take his advice.",
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                "value": "His Eminence Cardinal D'Alton welcoming members of the Abbey Theatre before the performances in the new Parochial Hall. Armagh. In the foreground are Ria Mooney and Ernest Blythe and, at the back, Harry Brogan, Eddie Golden and May Craig.",
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                "value": "The Abbey Theatre players went North last night, to stage two plays in Armagh's new Parochial Hall, in aid of the Armagh Parochial Hall Funds. His Eminence Cardinal D'Alton attended the performance.",
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                "value": "The players, at the invitation of Very Rev. John Mackle, Adm., St. Patrick's Cathedral, sacrificed their weekly \"night off\" from Gaelic pantomime, to perform Sean O'Casey's \"Shadow of a Gunman\" and",
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                "value": "There is no comfort in the preliminary report of the 1956 Census, which records the lowest population figure of any Census since the inception of the State. This result is all the more discouraging as there was a slight increase in population between 1946 and 1951. Optimists had hoped that a levelling-off process had started, and that the 1956 Census would support their argument. The preliminary report brutally blows the ground away from under their feet. Before the Census was held, the Central Statistics Office announced that its study of the figures for recent passenger movement suggested the unpleasant possibility of an excess of emigration over the natural increase. The Office's fears have proved to be only too firmly based on fact. There is no reason to believe that the figures of the definitive report will vary substantially from those in the preliminary account, thus softening the blow. It is a blow which will register on everybody who cares about the future of this country, or is in a position to exercise some influence on the planning of that future. If the trend disclosed by the 1956 Census continues unchecked, Ireland will die—not in the remote, unpredictable future, but quite soon.",
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                "value": "No argument will prevail against the formidably accusing figures which have been assembled. In one manner or another, they all point the same way. What is happening to the Twenty-six Counties is comparable with what has happened so often to small coastal islands: the young people move to the mainland, the old die off, and presently the place is uninhabited. If Ireland fails to develop a dynamic policy to check emigration, she will become a country of old people. It is important not only that the present rate of emigration should be lowered, but that people who already have emigrated should be encouraged to return. The Government, it is clear, cannot afford to let the findings of the preliminary report pass without comment. It would be well advised to begin by declaring its intention to blow the dust off the Report of the Commission on Emigration, and to consider seriously some of the recommendations entombed therein. The commission was at work for six years, and its report is now two years old; yet, for all the official attention that has been paid to its endeavours so far, it might as well have not existed. Every member of the Government should read it—or re-read it—without delay, in conjunction with the preliminary report of the Census. The impact of the two documents would put complacency to flight, once and for all.",
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